We picked a few sketches at random which seem to represent the development from figuration to abstraction. Alastair told us that these were studies of moods.
The journey from photo-realism to abstraction seems to be a constant struggle. Abstract elements appear to represent a menacing force in some and purity in others.
In every piece, whether it is a study or a finished work, the non-representational parts work with the overall composition to express the ineffable whole.
Lawrie is equally able when working with oils or acrylic; with pen or pastel. In fact, in sketch work he seems to work with whatever comes to hand.
This piece, another mood study, is an oil sketch on canvas, applied with the broken remains of an earlier experiment in glass.
This fresh acrylic sketch on canvas was standing on an easel and represents part of an association experiment in sound and colour.
Typically, Alastair offered very little explanation, and the only hope of a greater understanding is to view a more comprehensive selection in situ, whereby the full complexity of sensual and conceptual elements becomes apparent.
